The film, produced by the U.S. War Department in 1943, depicts an ornery bigot on a soap box seeking to enlist fellow Americans to his cause.
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Someone hammers on the door before daylight and the police and the trouble he’s earned storm into this “bankster’s” life.
Capitalism changed everything. It exposed our entrenched assumptions about class as largely a hoax. Peasants could wear the clothing of the nobles. Socialism freezes the classes in place.
Abusing a word like “racist” is almost as malicious as falsely charging someone with other despicable, illegal activities, such as rape.
“Look at the Hillbillies. They do drugs and lie around like slovenly dullards in their own indolence,” the writer seems to tells us over and over again.
New technology, in the form of VHS videos, enabled skilled skateboarders to create and distribute instructional videos. Skateboarding was transformed.
Global temperature can be whatever we want it to be. If we decide as a global community to identify as a planet with a lower temperature, who can judge us?
Silicon Valley elites have an obsession with immortality. They’re willing to flout longstanding moral limits on experimenting with humans. It’s scary.
Comedy evolved in the 1970s to provocative topics. Skelton stayed true to his own wholesome brand of family-oriented comedy. A whole generation grew up loving him.
I never really knew what people meant by the phrase “death panels” before. It was just a term bandied about. It’s chilling how well it applies here.
