Self expression. Sexual awakening. Bloody murder! These three films focusing on scary schoolgirls explore the sometimes dark side of female empowerment.
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Harvey Weinstein was a god in Hollywood. One just like Zeus. And people invoked him in litanies at sacred rituals: The Academy Awards.
The powerful new play The Fight opposes two visions of feminism & two characters, one based on Betty Friedan, the other a stand-in for Gloria Steinem.
As more revelations come out on Harvey Weinstein’s enablers, the play I’m about to star in, on the fault lines in feminism, seems ever more relevant.
Patriarchy gets a bad name. But it’s what built civilization in the first place, and what could save it today, this pastor tells men.
Unqualified is the scary epitome of a new era where women objectify themselves, as Faris does when she plays up her ditzy blond, over-sexualized persona, and makes money doing so.
New documentary Wonder Woman reveals surprising facts about World War I. Sadly, followers of a conspiracy theory called “feminism” have claimed it.
Netflix’s adaptation of “Anne of Green Gables” mangles the classic, and replaces real emotion with artificially introduced 2017 politics.
Passengers unfortunately falls victim to the pressures that so many movies suffer from today —to force-feed unnecessary sexualized scenes into an otherwise thoughtful story line.
